In Malayalam, the beautifully haunting Maheshinte Prathikaaram won the Best Film. In Kannada, Thithi – the delightful little film about the death of a 100 year old man, won the Best Film. In Tamil, Joker – the stirring film about a man who goes on a rampage against the system in his own way won the Best Film. Opting for sense over sensex, the jury in all the four languages rewarded films that were backed by a great story, rather than a humongous cast. One thing to note is that this year, considerable recognition was given to films that had a good story. So, how fair were the Filmfare Awards this year? Honest Telugu Critic brings you a detailed review of this year’s Filmfare Awards in Telugu. At the same time, the number of Filmfare Awards is used as a criterion for gauging the greatness of a star. Criticism is heaped on the Awards for playing to the galleries and choosing only commercially popular cinema. The Filmfare Awards share a mixed legacy. Sify wrote: "Speed, style and sparkle are the essence of Gharshana".For the 64th year in a row, Filmfare presented its annual awards to the four South Indian industries. The encounters are sadistically gory! And that forms half of the movie". Fullhyderabad wrote: "The action fans will love this movie. In that, he has married the best of Ram Gopal Varma and Manirathnam (urban finesse, short, crisp and natural dialogues and getting the best out of his music director)".
Indiaglitz wrote: "the film redeems itself due to the technical excellence and masterful craft of Gowtham. This film has got more style and less substance". The negative points are slow narration, lack of Telugu commercial elements, dry scenes and lack of substance.
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The plus points of this film are music, Venkatesh, photography and stylish taking. Idlebrain wrote: "The second half starts in an interesting style and it loses the steam as the climax approaches. Gautham Menon subsequently remade the film in the Telugu language for producer Venkata Raju. (The soundtrack of Kaakha Kaakha was retained in the Telugu remake except "Andagaada" and "Ye Chilipi".)Īll lyrics are written by Kulasekhar.
The music was released by ADITYA Music Company. The ending scene features Rama Chandra a few months later, calling out to his wife 'Maya' and both leaving in a car. Despite facing growing horror and betrayal at every step, Ramachandra violently finishes off Panda and his mafia, and also rescuing his wounded wife.
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Maya is kidnapped by these villains, and her husband sets out to rescue her and to free Hyderabad City of this criminal menace at the same time. Das’ brother Panda resolves to take revenge on Rama Chandra for the death of his brother by targeting Chandra's friends and family members. In one of his encounters, Rama Chandra kills Das, an Orissa-based leader of a criminal family, and his troubles begin. But her love is so deep for him that she is willing to take this risk, and they are married. Initially, he shuns her love, fearing that his enemies might cause harm to her. She is a school teacher and has fallen in love with him. Rama Chandra, however, has fallen in love with Maya. He doesn't have much faith in the judicial system and seeks to 'eliminate' the criminals in the town through encounters. His upbringing as an orphan and the special nature of his job as a policeman have left him reluctant to form relationships with women. Ramachandra IPS is the Deputy Commissioner of Police of Hyderabad City.